These are five relatively early pieces, written in a more-or-less minimalist style. They were composed as intentionally simplified expressions after exploring a more complex atonal approach, which I have since continued to integrate with the stripped-down directness and hints of neo-romanticism found in this collection. Accessible to a beginning or intermediate pianist, while also presenting many opportunities to engage with subtleties of interpretation, these pieces are inviting, rewarding, and fun to play.

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